Russell T Davies’s hit TV series It’s a Sin to be adapted as ‘visceral’ dance show

A dance adaptation of the hit TV series 'It's a Sin' will premiere in Manchester, exploring the 1980s AIDS crisis through movement.

Ayla Demirhan ·

Russell T Davies’s hit TV series It’s a Sin to be adapted as ‘visceral’ dance show

A new dance production, based on the critically acclaimed Channel 4 series *It's a Sin*, is set to debut at Aviva Studios in Manchester, England. This adaptation will subsequently embark on a tour, bringing the narrative of the 1980s AIDS crisis to a live stage through contemporary dance. The project marks a significant artistic collaboration, transforming a television drama into a visceral theatrical experience.

Rambert, a renowned dance company, is developing the production. Russell T. Davies, the original series creator, and the iconic music duo Pet Shop Boys are serving as executive producers, lending their creative vision to the adaptation. Benoit Swan Pouffer, Rambert's artistic director, is responsible for both choreography and direction, aiming to translate the series' emotional depth into movement.

Luke Halls Studio is managing the set and video design for the production. Their approach involves integrating archival materials with contemporary dance elements, creating a multi-layered visual experience. The musical score is being composed by Roman GianArthur, who seeks to capture the emotional intensity and atmosphere of 1980s queer life, which was central to the original television series.

This initiative follows Rambert's previous success in adapting another popular television series, *Peaky Blinders*, into a dance production in 2022. The company's experience with such adaptations suggests a growing trend in translating popular screen narratives to the stage. The *It's a Sin* production is a collaborative effort, co-produced by several prominent cultural institutions.

These co-producers include Factory International, Wales Millennium Centre, Capital Theatres, Les Théâtres de la Ville, and Sadler's Wells. This broad partnership underscores the scale and ambition of the project, aiming for a wide reach and significant cultural impact. Russell T. Davies, who initially had reservations about adapting the series, now views this dance production as a unique opportunity to reinterpret the story in a new artistic medium.

The original *It's a Sin* series, which aired in 2021, garnered widespread critical acclaim for its poignant portrayal of the AIDS epidemic's impact on a group of young gay men in London during the 1980s. Its success highlighted the enduring relevance of the story and its historical context. The dance adaptation seeks to explore these themes through a different artistic lens, offering a new perspective on a pivotal period in recent history.

The production's focus on the 1980s AIDS crisis provides a platform to revisit a significant public health and social challenge. The use of dance as a medium allows for a non-verbal exploration of grief, resilience, and community, potentially reaching audiences in a distinct emotional manner.

The involvement of key figures from the original series, alongside established dance and design professionals, suggests a commitment to maintaining the integrity and impact of the source material while innovating its presentation.

Implications

Country Impact: The production's premiere in Manchester and subsequent tour across the UK and potentially Europe highlights a growing trend in cultural programming, blending popular television narratives with traditional performing arts. This could boost regional cultural economies and audience engagement with dance.

Industry Impact: The entertainment industry sees a continued blurring of lines between television and live performance, with successful screen content being adapted for the stage. This trend offers new revenue streams and creative avenues for production companies and artists, potentially influencing future commissioning strategies.

Market Impact: The collaboration between multiple major cultural institutions and the involvement of high-profile executive producers like Russell T. Davies and Pet Shop Boys could attract significant investment and sponsorship in the arts sector. This model of co-production might become more prevalent for large-scale artistic endeavors, impacting funding structures and audience reach.

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