Actor Hafiz Oyetoro Discusses Career Shift from Pilot Ambition
Actor Hafiz Oyetoro, known as Saka, initially aimed to be a pilot before finding success in acting and academia. His career highlights include the popular "Saka" character and the impactful MTN "I don port" campaign, reflecting Nollywood's evolution from passion-driven to a financially viable indust
Ayla Demirhan ·

Hafiz Oyetoro, widely recognized as the actor Saka, initially pursued a career in aviation before his path decisively shifted to acting. Oyetoro, a Senior Lecturer at Lagos State University of Education, detailed his journey from a childhood fascination with aircraft to becoming a prominent figure in Nigerian entertainment and academia.
Early Life and Academic Foundations
Born in Adegbola village, Iseyin Local Government Area of Oyo State, Hafiz Oyetoro began his primary education at Baptist Day School, Koso, Iseyin, at age nine. He continued his studies at Koso Community Grammar School before attending the University of Ife, now Obafemi Awolowo University, Ile-Ife. Oyetoro then pursued master's and PhD degrees at the University of Ibadan, ultimately heading the Department of Theatre Arts at Lagos State University of Education.
From Aviation Dreams to Dramatic Arts
Hafiz Oyetoro
Oyetoro's early ambition was to become a pilot, sparked by observing airplanes from his farming parents' village. This aspiration persisted through secondary school, where he excelled in science subjects like Physics, Chemistry, and Biology. However, his involvement in the dramatic arts club and exposure to television actors cultivated a growing interest in performance. After graduating, he joined Akewebede Theatre, a professional group in Iseyin, marking his transition from aviation dreams to a career in acting. The Genesis of the "Saka" Persona The character "Saka" became synonymous with Oyetoro following his role in the television series 'House Apart'. Relocating to Lagos at the encouragement of a friend, Gbenga Oyedapo, Oyetoro co-developed the drama-comedy series. He portrayed Saka, while Oyedapo played Sule. The show gained significant popularity, becoming the second most-watched comedy after 'Papa Ajasco' at the time, which propelled the character and Oyetoro into public recognition. Oyetoro stated he received no payment for the initial 26 episodes, driven solely by passion for acting.
Impact of the "I Don Port" Campaign
Oyetoro's visibility significantly increased with the "I don port" advertising campaign for MTN. He clarified he was never an official ambassador for Etisalat, but rather a model for an agency handling their account. After his three-month contract for a campaign called Centre Spread expired, Etisalat declined to make him an official ambassador. MTN subsequently approached him, leading to the highly successful campaign Oyetoro credits with catapulting him to stardom. The campaign's resonance stemmed from the concept of mobile number portability and MTN's strategic secrecy, creating a surprise element for viewers who associated Oyetoro with a rival network.
Evolution of the Nigerian Film Industry Oyetoro has observed substantial changes within the Nigerian Oyetoro has observed substantial changes within the Nigerian entertainment industry, particularly Nollywood, over his career. Production quality, including camera work and aesthetics, has seen significant improvements due to technological advancements. Furthermore, the economic landscape for actors and theatre practitioners has transformed, with earnings now reaching millions of naira, enabling property ownership and establishing acting as a sustainable career. This contrasts sharply with his early career, where passion, rather than financial reward, was the primary motivator, and technical quality was less advanced. Future Trajectories for Nollywood The Nigerian film industry continues its growth trajectory, driven by technological integration and increasing professionalization. If current trends in production quality and financial investment persist, Nollywood could further solidify its position as a global entertainment force, potentially attracting more international collaborations and distribution deals. Conversely, if the focus on financial returns overshadows artistic commitment, as Oyetoro noted, the industry risks compromising the creative integrity that initially fueled its rise. The ongoing balance between commercial viability and artistic passion will shape the sector's long-term development, influencing both the global macro perception of African cinema and the career paths of individual actors.